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The catalogue of the Museo del Prado's new exhibition offers an exhaustive analysis of the figure of Paolo Veronese (Verona, 1528 - Venice, 1588), an extraordinarily renowned painter and true heir to Titian.
‘For the Prado, Veronese is more than just one of the great names in the history of art, he is a fundamental link in a way of understanding Venetian painting, one that prioritised colour over design and which constituted the DNA of the former royal collection and the current museum’. Miguel Falomir, Director of the Museo del Prado.
The catalogue of the Museo del Prado's new exhibition offers an exhaustive analysis of the figure of Paolo Veronese (Verona, 1528 - Venice, 1588), an extraordinarily renowned painter and true heir to Titian.
‘For the Prado, Veronese is more than just one of the great names in the history of art, he is a fundamental link in a way of understanding Venetian painting, one that prioritised colour over design and which constituted the DNA of the former royal collection and the current museum’. Miguel Falomir, Director of the Museo del Prado.
This new exhibition and the accompanying catalogue examine the intense link between Mexico and Spain through the figure of the Virgin of Guadalupe. They offer an unprecedented insight into the artistic dialogue between America and Europe in the 17th and 18th centuries, and show how the Virgin of Guadalupe was reinterpreted, reproduced and venerated on both continents.
Highlights
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