EXHIBITIONS

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"The Prompter" badge

"The Prompter" badge

38 mm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood and emptiness....

"George with Parallel...

"George with Parallel... 2

"George with Parallel Lines" metallic tray

Tinplate. 23 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"The Prompter" metallic tray

"The Prompter" metallic tray 2

"The Prompter" metallic tray

Tinplate. 23 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Balconies and Optical...

"Balconies and Optical... 2

"Balconies and Optical Floor" metallic tray

Tinplate. 23 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Mobiliario XVI" notebook

"Mobiliario XVI" notebook 2

"Mobiliario XVI" notebook

Unlined paper. 12 x 17 cm. Singer stitch binding. 48 sheets (96 pages). The cover of this notebook reproduces the work Mobiliario XVI (1996), which features a disturbing juxtaposition of a chair and an armchair, with which the artist Juan Muñoz seeks to evoke a physically unstable world in which the rules of balance and the laws of physics are sometimes...

"Raincoat Drawing" notebook

"Raincoat Drawing" notebook 2

"Raincoat Drawing" notebook

Unlined paper. 12 x 17 cm. Singer stitch binding. 48 sheets (96 pages). This notebook reproduces one of the works belonging to the Raincoat Drawings series, which takes its name precisely from the medium on which it is made: gabardine fabric. In these drawings, objects are outlined against the dense background of shadows using white highlights made with...

"Raincoat Drawing" notebook

"Raincoat Drawing" notebook 2

"Raincoat Drawing" notebook

Unlined paper. 12 x 17 cm. Singer stitch binding. 48 sheets (96 pages). This notebook reproduces one of the works belonging to the Raincoat Drawings series, which takes its name precisely from the medium on which it is made: gabardine fabric. In these drawings, objects are outlined against the dense background of shadows using white highlights made with...

"Mobiliario XV" notebook

"Mobiliario XV" notebook 2

"Mobiliario XV" notebook

Unlined paper. 12 x 17 cm. Singer stitch binding. 48 sheets (96 pages). The cover of this notebook reproduces the work Mobiliario XVI (1996), which features a disturbing juxtaposition of a chair and an armchair, with which the artist Juan Muñoz seeks to evoke a physically unstable world in which the rules of balance and the laws of physics are sometimes...

"George with Parallel...

"George with Parallel... 2

"George with Parallel Lines" A5 notebook

Unlined paper. Laminated binding. A5 (15 x 21 cm). 60 sheets (120 pages). Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic...

"Balconies and Optical...

"Balconies and Optical... 2

"Balconies and Optical Floor" A5 notebook

Unlined paper. Laminated binding. A5 (15 x 21 cm). 60 sheets (120 pages). Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic...

"The Prompter" A5 notebook

"The Prompter" A5 notebook 2

"The Prompter" A5 notebook

Unlined paper. Laminated binding. A5 (15 x 21 cm). 60 sheets (120 pages). Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic...

"George with Parallel...

"George with Parallel Lines" mug

Porcelain. 9.2 cm in diameter x 8.7 cm in height Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of...

"Balconies and Optical...

"Balconies and Optical Floor" mug

Porcelain. 9.2 cm in diameter x 8.7 cm in height Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of...

"The Prompter" mug

"The Prompter" mug

Porcelain. 9.2 cm in diameter x 8.7 cm in height Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of...

"George with Parallel...

"George with Parallel Lines" bag

Polyester. 35 x 37 cm. Total length of handles: 65 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of...

"The Prompter" bag

"The Prompter" bag

Polyester. 35 x 37 cm. Total length of handles: 65 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of...

"George with Parallel...

"George with Parallel Lines" toiletry bag

Polyester. 21.5 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability,...

"Balconies and Optical...

"Balconies and Optical Floor" toiletry bag

Polyester. 21.5 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability,...

"The Prompter" toiletry bag

"The Prompter" toiletry bag

Polyester. 21.5 x 16 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability,...

"George with Parallel...

"George with Parallel Lines" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Balconies and Optical...

"Balconies and Optical Floor" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"The Prompter" case

"The Prompter" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this folding pocket mirror of Maria Antonia of Bavaria, Electress of...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), a work reproduced on...

"Frederick Christian,...

"Frederick Christian,... 2

"Frederick Christian, Prince of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Frederick Christian,...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Maria Antonia of...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" puzzle postcard

15 x 20 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. The landscape background, set in the gardens of the Royal Palace of Aranjuez...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" puzzle postcard

15 x 20 cm The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), the work reproduced on this puzzle postcard, the figure of the heir to the throne...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" shoping bag

38 x 30 x 10 cm. 23 cm handle. Includes a 11 x 14 cm pouch to store the bag. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" messenger bag

Velvet. 41 x 45 cm (65cm short handle; 100cm long handle). With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" glasses case

8.5 x 18 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, and in the detail reproduced on this beautiful and practical glasses case, we can see her left wrist, which is adorned with a four-strand pearl bracelet with a...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" desk mirror

9 x 14 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two carnations, possibly a reference to her recent...

"Archduchess Maria Theresa...

"Archduchess Maria Theresa... 2

"Archduchess Maria Theresa of Austria" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. When Mengs arrived in Florence in early June 1770, he was given accommodation in the Palazzo Pitti and Charles III immediately commissioned him to paint portraits of the entire princely family. The result of this commission is the portrait of Archduchess Maria Theresa of Austria (1770), a detail of which is reproduced...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" metallic bookmark

Metal. 3.4 x 6.6 cm. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. The landscape background, set in the gardens of the Royal Palace of...

"Frederick Christian,...

"Frederick Christian, Prince of Saxony" cleaning cloth

16 x 21 cm. Microfiber The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait of Frederick Christian, Prince of Saxony (1751), reproduced on this cleaning cloth, the man wears sumptuous...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" weekly planner

27 x 14,5 cm. 50 sheets. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two carnations, possibly a reference...

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EXHIBITIONS

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