EXHIBITIONS

Showing 253-264 of 287 item(s)

"Balconies and Optical...

"Balconies and Optical Floor" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"The Prompter" case

"The Prompter" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this folding pocket mirror of Maria Antonia of Bavaria, Electress of...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), a work reproduced on...

"Frederick Christian,...

"Frederick Christian,... 2

"Frederick Christian, Prince of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Frederick Christian,...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Maria Antonia of...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" puzzle postcard

15 x 20 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. The landscape background, set in the gardens of the Royal Palace of Aranjuez...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" puzzle postcard

15 x 20 cm The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), the work reproduced on this puzzle postcard, the figure of the heir to the throne...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" shoping bag

38 x 30 x 10 cm. 23 cm handle. Includes a 11 x 14 cm pouch to store the bag. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" messenger bag

Velvet. 41 x 45 cm (65cm short handle; 100cm long handle). With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" desk mirror

9 x 14 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two carnations, possibly a reference to her recent...

"Archduchess Maria Theresa...

"Archduchess Maria Theresa... 2

"Archduchess Maria Theresa of Austria" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. When Mengs arrived in Florence in early June 1770, he was given accommodation in the Palazzo Pitti and Charles III immediately commissioned him to paint portraits of the entire princely family. The result of this commission is the portrait of Archduchess Maria Theresa of Austria (1770), a detail of which is reproduced...

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EXHIBITIONS

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