EXHIBITIONS

Showing 253-287 of 287 item(s)

"Balconies and Optical...

"Balconies and Optical Floor" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"The Prompter" case

"The Prompter" case

Polyester. 19 x 9 cm Juan Muñoz draws inspiration from the illustration of an ancient mosaic, which creates the optical illusion of transforming a plain floor into an intertwining of steps that ascend or descend, for the design of floors to cover stages in his installations, giving them a dramatic quality capable of communicating vulnerability, falsehood...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this folding pocket mirror of Maria Antonia of Bavaria, Electress of...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), a work reproduced on...

"Frederick Christian,...

"Frederick Christian,... 2

"Frederick Christian, Prince of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Frederick Christian,...

"Maria Antonia of Bavaria,...

"Maria Antonia of Bavaria,... 2

"Maria Antonia of Bavaria, Electress of Saxony" clothbound notebook

Plain paper. Singer stitch binding. 18 x 24 cm. 64 sheets (126 pages). The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait reproduced on the cover of this notebook of Maria Antonia of...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" puzzle postcard

15 x 20 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. The landscape background, set in the gardens of the Royal Palace of Aranjuez...

"Charles Anthony of...

"Charles Anthony of... 2

"Charles Anthony of Bourbon, Prince of Asturias" puzzle postcard

15 x 20 cm The young couple formed by Prince Charles and Princess María Luisa would be portrayed by Mengs during their first happy stay in Aranjuez in the spring of 1766 after their marriage. In Charles Anthony of Bourbon, Prince of Asturias (the future Charles IV) (1766), the work reproduced on this puzzle postcard, the figure of the heir to the throne...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" shoping bag

38 x 30 x 10 cm. 23 cm handle. Includes a 11 x 14 cm pouch to store the bag. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" messenger bag

Velvet. 41 x 45 cm (65cm short handle; 100cm long handle). With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" desk mirror

9 x 14 cm With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two carnations, possibly a reference to her recent...

"Archduchess Maria Theresa...

"Archduchess Maria Theresa... 2

"Archduchess Maria Theresa of Austria" folding pocket mirror

Fabric lined covers. 7.3 cm diameter. When Mengs arrived in Florence in early June 1770, he was given accommodation in the Palazzo Pitti and Charles III immediately commissioned him to paint portraits of the entire princely family. The result of this commission is the portrait of Archduchess Maria Theresa of Austria (1770), a detail of which is reproduced...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" metallic bookmark

Metal. 3.4 x 6.6 cm. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. The landscape background, set in the gardens of the Royal Palace of...

"Frederick Christian,...

"Frederick Christian, Prince of Saxony" cleaning cloth

16 x 21 cm. Microfiber The use of dynastic attributes in state portraits is very characteristic of the Saxon portrait tradition, an influence that the young Mengs picked up from the court painter Louis de Silvestre (1675-1760). In the portrait of Frederick Christian, Prince of Saxony (1751), reproduced on this cleaning cloth, the man wears sumptuous...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" weekly planner

27 x 14,5 cm. 50 sheets. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, wearing a lilac gown dotted with green leaves and white flowers and trimmed with lace. In her right hand she holds two carnations, possibly a reference...

"Maria Luisa of Parma,...

"Maria Luisa of Parma,... 2

"Maria Luisa of Parma, Princess of Asturias" pen

Blue ink. With the delicacy and elegance characteristic of portraits from the Ancien Régime, Mengs paints Maria Luisa of Parma, Princess of Asturias (1766). She is dressed in court attire, and in the detail reproduced on this beautiful pen, we can see her left wrist, which is adorned with a four-strand pearl bracelet with a visible miniature, and how she...

"Frederick Christian,...

"Frederick Christian,... 2

"Frederick Christian, Prince of Saxony" pencil

Graphite and wood. 18 cm This beautiful pencil reproduces a detail from the portrait of Frederick Christian, Prince of Saxony (1751), in which the man is wearing sumptuous antique steel armor with gold trim and red velvet lining. Mengs combined different textures and colored surfaces to create an exciting display of contrasts and alternations, added to an...

"An Excavation of an...

"An Excavation of an... 2

"An Excavation of an Antique Building in the Villa Negroni" notebook

Unlined paper. Laminated binding. A5 (15 x 21 cm). 60 sheets (120 pages). At the end of June 1777, an archaeological excavation began on land located in Villa Negroni alle Terme, in the Roman Esquiline Hill. The diplomat José Nicolás de Azara (1730-1804), a friend of Mengs, was involved in this project. As a result of this excavation, frescoes were...

"Self-portrait" A4 folder

"Self-portrait" A4 folder 2

"Self-portrait" A4 folder

Cardboard. 21 x 29.7 cm The work reproduced on the cover of this practical folder, Self-portrait (circa 1744), is believed to be Mengs's first known self-portrait, painted when the artist was around sixteen years old, as has recently been suggested, and is of exceptional quality.

Juan Muñoz. Stories of Art

Juan Muñoz. Stories of Art 2

Juan Muñoz. Stories of Art

PRE-SALE CATALOGUE WITH FLAT RATE SHIPPING AT €5* Edited by Vicente Todolí, curator of the exhibition. Bilingual edition in Spanish and English. Paperback with jacket. 24 x 33 cm. 216 pages. Catalogue published on the occasion of the exhibition Juan Muñoz. Stories of Art, held at the Museo Nacional del Prado, Madrid, from 18 November 2025 to 8 March 2026.

Antonio Raphael Mengs...

Antonio Raphael Mengs... 2

Antonio Raphael Mengs 1728-1779 (Spanish)

Edited by Andrés Úbeda, Head of the 18th Century Italian Painting and Goya Collection at the Museo del Prado, and Javier Jordán de Urríes, Curator, Patrimonio Nacional. Spanish (also available in English). Paperback. 24 x 30 cm. 488 pages. Catalogue published on the occasion of the exhibition Antonio Raphael Mengs (1728–1779), held at the Museo Nacional...

Anton Raphael Mengs...

Anton Raphael Mengs... 2

Anton Raphael Mengs 1728-1779 (English)

Edited by Andrés Úbeda, Head of the 18th Century Italian Painting and Goya Collection at the Museo del Prado, and Javier Jordán de Urríes, Curator, Patrimonio Nacional. English (also available in Spanish). Paperback. 24 x 30 cm. 488 pages. Catalogue published on the occasion of the exhibition Antonio Raphael Mengs (1728–1779), held at the Museo Nacional...

El Prado en femenino III:...

El Prado en femenino III:... 2

El Prado en femenino III: la reina Isabel de Farnesio (1692-1766)

Edited by the project curator Noelia García Pérez, Professor and Director of the Art Department at the University of Murcia. Spanish (also available in English). Paperback with dust jacket. 12 x 17 cm. 148 pages. This publication accompanies the exhibition The Female Perspective III. Queen Isabel de Farnesio (1692–1766), which will be on display at the...

The Female Perspective III:...

The Female Perspective III:... 2

The Female Perspective III: Queen Isabella Farnese (1692-1766)

Edited by the project curator Noelia García Pérez, Professor and Director of the Art Department at the University of Murcia. English (also available in Spanish). Paperback with dust jacket. 12 x 17 cm. 148 pages. This publication accompanies the exhibition The Female Perspective III: Queen Isabella Farnese (1692–1766), which will be on display at the...

El Prado en femenino I...

El Prado en femenino I... 2

El Prado en femenino I (1451-1633)

Spanish. Paperback. 12 x 17 cm. 160 pages. New volume in the Museo del Prado Itineraries collection, an approach to the museum's permanent collection through an exhibition itinerary. From 14 December 2022 to 9 April 2023.

El Prado en femenino II...

El Prado en femenino II... 2

El Prado en femenino II (1602-1700)

Author: Noelia García Pérez Spanish (also available in English). Paperback with jacket. 12 x 17 cm. 136 pages. This publication accompanies the itinerary The Female Perspective II. Women Art Patrons of the Museo del Prado (1602-1700), which can be followed at the Museo Nacional del Prado from 8 May to 8 September 2024.

The Female Perspective...

The Female Perspective... 2

The Female Perspective (1602-1700)

Author: Noelia García Pérez English (also available in Spanish). Paperback with jacket. 12 x 17 cm. 136 pages. This publication accompanies the itinerary The Female Perspective II. Women Art Patrons of the Museo del Prado (1602-1700), which can be followed at the Museo Nacional del Prado from 8 May to 8 September 2024.

"Vase of Flowers" magnetic...

"Vase of Flowers" magnetic... 2

"Vase of Flowers" magnetic bookmark

Brueghel el Viejo, Jan

11,7 x 4,3 cm. The success of the still lifes and vases painted by Jan Brueghel the Elder, also called de Velours (Velvet) for the quality of his technique, is attested by the number of disciples who followed him, like the author of this Vase of Flowers (17th century), one of whose tulips is reproduced in black and white on this practical magnetic...

"Snowy Landscape" Christmas...

"Snowy Landscape" Christmas... 2

"Snowy Landscape" Christmas ball

100% recycled polystyrene. 7.5 cm de diameter. Decorate your Christmas tree with this original ball, printed with a design from the painting Snowy Landscape with Skaters and Bird Trap (circa 1601) by Pieter Brueghel the Younger. This is one of the copies of the original painted by Pieter Bruegel the Elder in 1565 made by his son.

Christmas "Snowy landscape...

Christmas "Snowy landscape... 2

Christmas "Snowy landscape with skaters and bird trap"

11.4 x 17 cm (closed). Christmas in diptych form that reproduces on its cover a detail of the Museo del Prado's work Snowy Landscape with Skaters and Bird Trap (Pieter Brueghel "the Younger", 17th century). Includes white envelope.

Sagrada Familia del pajarito

Sagrada Familia del pajarito

El Buen Pastor

El Buen Pastor

Los niños de la concha

Los niños de la concha

El triunfo de la Muerte

El triunfo de la Muerte

La Virgen, el Niño y San Juan

La Virgen, el Niño y San Juan

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EXHIBITIONS

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